Bell, Lee Summerbee Statue

It was great to be at the Etihad today for the unveiling of the statue celebrating the achievements of England internationals Colin Bell, Francis Lee and Mike Summerbee. The statue recognises the achievements of all those involved in winning the major trophies of 1968 to 1970, including City’s first European trophy of course and many of those former players were here for this wonderful day.

Members of the families of Colin Bell, Francis Lee and Mike Summerbee, together with Mike of course, were present to see the statue this morning. After they’d had their personal time with the statue a celebratory brunch occurred. It included a speech from Ferran Soriano and interviews with the sculptor, club archivist Steph Alder, photographer Kevin Cummins, journalist Chris Bailey and myself. We were asked about the significance of the players and that era.

For me one of the most important aspects is that it recognises all the players who appeared in City’s title success of 1968 and in the trophy successes that followed (FA Cup, League Cup and ECWC). That’s significant and fits with comments that all three men have said over the decades that the successes under Joe Mercer and Malcolm Allison were the work of an entire team. Bell, Lee & Summerbee always praised the others.

I love the statue as it shows the men in movement. Often football statues are standing poses or similar, with no suggestion of movement, but this is a wonderful piece of three men moving forward. It’s a great work.

The statue is located in front of the main entrance in a specially paved area which allows fans who want to take a photo to stand with the three men in motion with the Etihad in the background.

There was inevitably some emotion today as Colin and Francis are no longer with us but I do know that Colin was aware that a statue was on its way and Francis did approve the style and saw representations of it. All families seem happy with this work of art.

For those who want to know more on the statues, there will be a film which will be on City’s channel and on YouTube I’m told soon. In the meantime, go and have a look yourself.

Here’s something the club issues a few days ago on the sculptor:

This installation will be located on the west side of the perimeter and will be unveiled on Tuesday morning ahead of a UEFA Champions League meeting with RB Leipzig later that day, where fans will be invited to visit the permanent tribute to an extraordinary era in the Club’s history.

Speaking of his appointment to the project David Williams-Ellis said:

“It is a great honour to create a work of art for Manchester City Football Club celebrating the diverse, talented players, Bell, Lee and Summerbee.

“It’s been an extraordinary last two years, working on this project that celebrates these players from a great era in Manchester City’s football history.

“I hope that the work will give a sense of history and place to the legions of fans and visitors that come to the football ground from around the world and become an enduring part of Manchester’s cultural landscape.”

David Williams-Ellis – Artist Biography

David Williams-Ellis’ sculptures, worked in clay directly from life, are inspired by the romanticism of Rodin and Bourdelle and are noted for their sense of movement and vitality.

David was classically trained in Florence under drawing teacher, Nerina Simi. From there he went on to be an apprentice wood carver and then joined a community of marble carvers beneath the Carrara Mountains in Pietresanta.

David’s reputation was cemented after his time in Italy. Today, his work is in private and public collections across the globe and can be seen in flagship buildings including Scone Palace in Perthshire, Aberdeen’s Maritime Museum, the IFC Building in Shanghai and Oxford House, Swires, Hong Kong.

Amongst his most notable work includes the D-Day Memorial Sculpture, unveiled on 6th June 2019 above Gold Beach in Normandy to commemorate the 22443 service men and women who fell on D-Day and in the Normandy campaign under British command.

Here’s the D Day Memorial:

Today’s the Day: Bell, Lee Summerbee Statue Unveiling

As well as tonight’s European game at the Etihad another major event is happening at the home of Manchester City. The statue celebrating the achievements of England internationals Colin Bell, Francis Lee and Mike Summerbee is being unveiled. I will be there and I know the statue recognises the achievements of all those involved in winning the major trophies of 1968 to 1970, including City’s first European trophy of course.

I’m sure it will be an excellent day. For those who want to know more on the statues, here’s something the club issues a few days ago on the sculptor:

This installation will be located on the west side of the perimeter and will be unveiled on Tuesday morning ahead of a UEFA Champions League meeting with RB Leipzig later that day, where fans will be invited to visit the permanent tribute to an extraordinary era in the Club’s history.

Speaking of his appointment to the project David Williams-Ellis said:

“It is a great honour to create a work of art for Manchester City Football Club celebrating the diverse, talented players, Bell, Lee and Summerbee.

“It’s been an extraordinary last two years, working on this project that celebrates these players from a great era in Manchester City’s football history.

“I hope that the work will give a sense of history and place to the legions of fans and visitors that come to the football ground from around the world and become an enduring part of Manchester’s cultural landscape.”

David Williams-Ellis – Artist Biography

David Williams-Ellis’ sculptures, worked in clay directly from life, are inspired by the romanticism of Rodin and Bourdelle and are noted for their sense of movement and vitality.

David was classically trained in Florence under drawing teacher, Nerina Simi. From there he went on to be an apprentice wood carver and then joined a community of marble carvers beneath the Carrara Mountains in Pietresanta.

David’s reputation was cemented after his time in Italy. Today, his work is in private and public collections across the globe and can be seen in flagship buildings including Scone Palace in Perthshire, Aberdeen’s Maritime Museum, the IFC Building in Shanghai and Oxford House, Swires, Hong Kong.

Amongst his most notable work includes the D-Day Memorial Sculpture, unveiled on 6th June 2019 above Gold Beach in Normandy to commemorate the 22443 service men and women who fell on D-Day and in the Normandy campaign under British command.

Here’s the D Day Memorial:

Bell, Lee Summerbee Statue Latest

Looking forward to Tuesday…

WORLD-RENOWNED SCULPTOR REVEALED AS ARTIST BEHIND PERMANENT TRIBUTE TO CITY’S LEGENDARY TRIUMVIRATE

  • Unveiling confirmed for Tuesday 28 November
  • World-renowned sculptor David Williams-Ellis chosen following exhaustive selection process overseen by Club Chairman Khaldoon Al Mubarak
  • Tribute will celebrate the legacy of Manchester City’s trophy-laden era of the late 1960s and early 1970s Manchester City Football Club is delighted to reveal that world-renowned sculptor David Williams-Ellis is the artist behind a permanent tribute to legendary triumvirate Colin Bell, Francis Lee and Mike Summerbee. A student of eminent octogenarian drawing teacher, Nerina Simi, Williams-Ellis sought out classical training in Florence where his signature style was first established. His sculptures, worked in clay, from life, are inspired by the romanticism of French sculptors Auguste Rodin and Antoine Bourdelle and are noted for their sense of movement and vitality. With exhibitions proudly displayed at Perthshire’s Scone Palace, Aberdeen’s Maritime Museum and the IFC Building in Shanghai, Williams-Ellis is perhaps most famously known for his commission of the Normandy Memorial Trust’s D-Day Sculpture. That monument was unveiled by French President Emmanuel Macron and then-British Prime Minister Theresa May in 2019. Designed and created at his Oxfordshire home studio, Williams-Ellis’s work on this commission has focused on capturing the motion and characteristics of each player and embodying the spirit of their combined 30 years representing Manchester City. This initiative is the latest in a series of tributes to key figures forming the Club’s legacy project, first announced in 2019 and directed by Chairman Khaldoon Al Mubarak. Modern-day legends Vincent Kompany, Sergio Aguero and David Silva were celebrated upon their respective departures from the Club, with each of their sculptures located on the east side of the stadium, in addition to permanent mosaic artworks featured throughout the City Football Academy.

This installation will be located on the west side of the perimeter and will be unveiled on Tuesday morning ahead of a UEFA Champions League meeting with RB Leipzig later that day, where fans will be invited to visit the permanent tribute to an extraordinary era in the Club’s history.

Speaking of his appointment to the project David Williams-Ellis said:

“It is a great honour to create a work of art for Manchester City Football Club celebrating the diverse, talented players, Bell, Lee and Summerbee.

“It’s been an extraordinary last two years, working on this project that celebrates these players from a great era in Manchester City’s football history.

“I hope that the work will give a sense of history and place to the legions of fans and visitors that come to the football ground from around the world and become an enduring part of Manchester’s cultural landscape.”

David Williams-Ellis – Artist Biography

David Williams-Ellis’ sculptures, worked in clay directly from life, are inspired by the romanticism of Rodin and Bourdelle and are noted for their sense of movement and vitality.

David was classically trained in Florence under drawing teacher, Nerina Simi. From there he went on to be an apprentice wood carver and then joined a community of marble carvers beneath the Carrara Mountains in Pietresanta.

David’s reputation was cemented after his time in Italy. Today, his work is in private and public collections across the globe and can be seen in flagship buildings including Scone Palace in Perthshire, Aberdeen’s Maritime Museum, the IFC Building in Shanghai and Oxford House, Swires, Hong Kong.

Amongst his most notable work includes the D-Day Memorial Sculpture, unveiled on 6th June 2019 above Gold Beach in Normandy to commemorate the 22443 service men and women who fell on D-Day and in the Normandy campaign under British command.

Here’s the D Day Memorial:

Francis Lee’s Funeral

Today was an emotional day but it was also a perfect sendoff for Francis Lee. I was at Manchester Cathedral to pay my respects and it was great hearing the tributes to Francis today, particularly the one from Will Perry and Francis’s son Jonny. They did him proud. Great to see many Blues & former players there, plus Barry ‘look at his face’ Davies. The former players from City included Mike Summerbee of course, Tony Book, Micah Richards, Peter Barnes, Tommy Booth, Asa Hartford, Joe Royle and Alan Oakes. Former physio Roy Bailey was there, as was Fred Eyre, and playing representatives of Bolton and Derby. Colin Bell’s son Jon was also present which was fantastic to see.

One of the things that came across well from Jonny’s eulogy was his dad’s sense of humour. Jonny revealed how Franny often told interviewers fake facts like how he could play the piano to classical concert standard and some of these jokes have made it into obituaries. Brilliant – it also means I now need to go back through my interviews with him to see if I can spot any Franny wind ups!

Franny’s mate John Gildersleeve also revealed how the two of them were travelling back from a holiday in Dubai when Franny (MCFC chairman at the time) received a phone call from BBC Radio Manchester. The interviewer knew that Franny had been out of the country but didn’t know where and asked if he’d been trying to sign a player. Franny said he had and that the Blues were in negotiation to buy a strong relatively unknown defender. He said that he couldn’t say much but he could reveal the player’s name. He then gave the BBC a Dutch sounding version of John Gildersleeve’s name – and according to the tale we heard the BBC fell for it!

The service included Blue Moon played on the cathedral organ (quite emotional) and recordings of What a Wonderful Life (Louis Armstrong) and You Got It (Roy Orbison), plus hymns Dear Lord and Father of Mankind and, of course, Abide With Me. As well as family and friends, City’s Danny Wilson added to the eulogies with an appropriate and appreciated contribution about what Franny meant to City.

In addition to family, friends, colleagues and former players there were many, many fans there paying their respects. I think Francis would’ve loved that.

After the service at the Cathedral there was a private family cremation and other commemorations marking Franny’s life.

Franny was a wonderful player, businessman and man. Today Manchester and the world recognised that.

If you missed reading my interview with Francis from 2010 you can read it below. For those who wonder why Francis was so significant hopefully this will give an indication. This is one of many interviews I did with Francis over the decades and I want to include this one today as it was written up as a Q&A style piece with Francis’ own words documented. I hope it captures the spirit of the legendary Bolton, City, Derby and England player.

IN SEARCH OF THE BLUES – Francis Lee

For today’s feature author Gary James met up with former Bolton, City and England star Francis Lee.  In a glittering career Francis won two League Championships, the ECWC, League Cup and the FA Cup.

Francis, let’s begin with your early career at Bolton.  Can you explain how that started?

I was a member of the groundstaff and I set myself a target that I had to get into the first team by the time I was 17 or 18 and if I didn’t I was going to go back to college and train as a draughtsman.  That was my plan, but I managed to get into the first team at 16 and I made my debut against City (5/11/60).  We won 3-1 and I scored a header at 3.15 against Bert Trautmann – I think Bert must have thought he was getting over the hill for me to score a header past him!  It was a great day and there were some very good players on both sides – Nat Lofthouse of course.  Ken Barnes and Denis Law were playing for City.

I kept my place for about six games and then the following season I had 5 games, then in 1962-63 I was top scorer with 12 goals from 23 League games.

You were playing out on the wing those days and topped the goalscoring charts each season at Bolton from 1962 until you left.  Was that your preferred position?

I think my best position was as support striker to a big fella.  I only played in that role twice really – at Bolton with Wyn Davies when I scored 23 League goals one season and then at City with Wyn again when I scored 33 League goals in 1971-72.  A lot of my career was spent at centre-forward at City and at Derby which is a bit of a difficult position to play if you’re only 5ft 7.  When I played for England I was support to Geoff Hurst and that suited me.  When I played at centre-forward I had my back to the ball but when I was support striker – the free player – that suited me fine.  I could pick up the ball going forward and that was great.

At Bolton you scored 106 goals in 210 appearances.  A great record, but when you left the club the stories were that you were in dispute.  Is that true?

Well, what happened is that Bolton had got relegated in 1964 and, despite a near-miss in 1965 when we finished third, it didn’t feel as if we were going forward.  My ambition was still to see how far I could develop in the game and in the back of my mind I had the ambition to play for England, but I wasn’t even selected for the under 23s.  The story was going around that I was difficult to handle – which is funny because Joe Mercer said that I was the easiest player to handle at one point.

At one point I remember asking the manager why I wasn’t earning as much as Wyn Davies who had been brought in to score goals.  I was top goalscorer but Wyn was paid more and the manager said:  “you’re too young!” but Wyn was only about a year older than me.

Were you difficult to handle at Bolton?

I was opinionated and ambitious, but not difficult.  I think that message was going around because I was on a weekly contract at that time and the club knew that it would be difficult for them to stop me moving on if another club came in.  So any player with a reputation for being difficult would not be on anyone else’s shopping list, would they?  Bolton offered me a new contract worth something like £150 a week but before that I was on £35.  That actually upset me more and I said: “if you now think I’m worth £150 a week what about all those years you’ve been underpaying me?”  It wasn’t the money that was an issue it was the way they handled it.  What they were doing was trying to get me on that contract and then my value would increase if someone came in to buy me.   Once they saw how dissatisfied I was with the way they were handling it, they said that it’d be best if we made a clean break, and so I said I’d pack the game in.  I had my business by then and so I said:  “give me my employment cards and I’ll pack it in.”  They thought I was bluffing. 

It’d been a decent season so far – I’d scored 9 goals in 11 games including when we beat the great Liverpool side in the League Cup – but then it all stopped in September 1967.  They gave me my cards and that was it.

Were you absolutely certain you’d pack it all in at that point?

I kept myself fit but I was working on my business.  I was driving my lorry around, collecting the waste paper and so on.  The business was growing and I felt that if I wasn’t wanted then I’d concentrate on that.  It was always my fallback.  It was only a small business really.

I know how stories can get exaggerated over the years, but is it true that in between games you were going around collecting the waste paper?

I used to drive my lorry during the week and even on the Thursday or Friday before a game I’d be collecting waste paper.  I used to put on a flat cap and muffler so that nobody would recognise me!  In summer I worked long hours and I was earning more in the summer months than I was playing football in Division One.  I also played cricket.  At one point it looked like I was going to be a footballer and cricketer but the season overlap meant I had to concentrate on football.

In the end I was driving articulated lorries and it was getting to be a very good business.  My last job was the day before I signed for City!  I roped and sheeted about 15 ton of paper and cardboard from a spinning mill in Bolton.  Took it to the Sun Paper Mill in Blackburn and when I got back about 5pm I got a call from Joe Mercer.  He didn’t give his name at first but I recognised him and he said:  “Where’ve you been?” I told him I’d been playing golf – I couldn’t play the game at all then but I couldn’t tell him what I had been doing!  I asked him:  “who is that?”  He said:  “Tom Jones.”  I said: “It doesn’t sound like Tom Jones, sounds more like a man called Mercer!”

Did you immediately want to sign for City?

Other teams had shown interest in signing me.  Liverpool offered £100,000 I understand but then when I wasn’t playing it affected my price.  In later years Shanks often used to grab me and say in that strong Scottish accent:  “Son, I should’ve signed ya the night I saw ya!”

City was just right of course.  It meant the business could carry on.  I don’t know if Bolton had told Joe about my contract or the £150 offer but the first thing he said to me before we talked it through was:  “I’ll be honest with you son.  We’ve no money.  We’re skint!”  I said:  “It doesn’t matter.  I’ll just be delighted to start playing again.” 

I signed for City for £60 a week – remember I’d turned down £150 at Bolton – and in the end it was well worth it.  The way the team developed and, of course, when I realised my ambition and played for England.

City paid £60,000 – actually they paid £40,000 down and £20,000 on the drip!  I was told I should get about 5% of the fee but then the League wouldn’t allow it because I’d left under strained circumstances or something.

I left a lot of friends of mine at Bolton – Freddie Hill, a great friend, Tommy Banks, Roy Hartle, Gordon Taylor – and we had some great times.  Those of us who had come through the ranks were poorly paid for the job we were doing at the time, but we enjoyed ourselves.  I never had any argument with the players, fans or people at Bolton, it was just those that ran it.  I loved my time at Bolton.

When you joined City the Blues were ninth in Division One after losing 5 of the 11 games played.  But the side was transformed from the moment you came.  Unbeaten in your first 11 League games.  Were you the difference?

The team just clicked and I was only part of a good group of players.  We had that great run up to Christmas, then a bit of a blip, but in the New Year we just rattled on.  It was a terrific period.  Mike Summerbee was playing at centre-forward and our culture at the time was to play with five forwards.  It was very unusual for the time.  The only system we played was that we all played we had ten players who went up together, and ten who defended together.  When we won the League at Newcastle at the end of the season it was wonderful and particularly special because none of us had ever won anything significant.  This was our first major success and that’s why the following season the ordeal of playing a European Cup tie was so tough.

Was it just inexperience that caused City to lose the Fenerbahce European Cup tie 2-1 on aggregate?

None of us had played in Europe before.  Mike Summerbee had only made his England debut against Scotland in February 1968.  Colin Bell had played in two England friendlies, but apart from that none of us had any concept of what it could be like in Turkey.  Had we played the first leg in Istanbul and the second at Maine Road I think we’d have gone through, but the goalless 1st leg at Maine Road killed us really.  We worked hard in Istanbul and it was a creditable result over there but we were out and it was because we were inexperienced.  It was a culture shock.

Despite the Fenerbahce setback did it feel as if City could find further success?

No confidence was at a real low after that game.  We’d had a bad run and only had a small squad so we struggled.  But that was the way it was.  Most clubs had small squads but what Shankly used to do at Liverpool was sign a couple of players each season just to ensure that those who were first choice felt the pressure and remained hungry for the game.  Back then the motivation for all of us was to be in the team and to keep your place.  The money was significantly different if you lost your place – City used to have this thing where we’d get a bonus depending on the size of the attendance as well as goals, wins and so on.  That motivated you to ensure you did all you could to entertain as well as win – you wanted the crowds to grow. 

Effectively you could double your wage by simply being in the team.  That’s a big incentive. 

Francis Lee (left) and Mike Summberbee (right) threaten the Fenerbahce goal in City’s first European Cup tie in 1968.

You mentioned about squad size, I think younger readers may be surprised to read that City tried to keep the same eleven players game after game, competition after competition.  Would you have enjoyed a squad rotation policy when you played?

The aim of a footballer is to play.  Why would anyone want to be rested?  If a manager had said to me ten minutes before full time that he wanted to bring me off even though I was playing well, I’d have told him “no way!  I’m enjoying myself.  This is what you bought me for, now let me do it!”  It wouldn’t matter what the manager says I’d want to stay on.  That’s what the game is about – enjoyment!  Every player wanted to play.  None of us wanted to be on the bench. 

People talk about the number of games played today but in 1969-70, ignoring domestic friendlies and the Charity Shield, you played 71 competitive games for England and City.  Would squad rotation have helped?

No. Playing is always better than being on the training pitch and I used to love playing, so I tried not to miss a game.  It didn’t matter whether it was an England friendly, Anglo-Italian cup or whatever, I wanted to play and represent my club and my country.  I think it’s best for all players.  Look at Tevez.  He’s improved his fitness and form by playing, and I think a lot of players are like that.  He needs to play, and that’s what I always wanted. 

Some of the other players from the 1969-70 season have talked about Franny’s Grand Slam.  Your aim to win four trophies in one season inspired them.  What do you remember of that?

Well, we wanted to win every game so it seemed natural to me that we should go for all four.  We won the League Cup and Cup Winners’ Cup, so that wasn’t bad.  In the FA Cup we were odds on to win at Old Trafford because we’d beaten them so many times.  We ended up suffering a rare defeat at United, but it was one of those we should really have won based on form and everything.  We were doing okay in the League then we had a few injuries – Mike, Colin Bell and Neil Young were injured at key times – otherwise I think we would have won three trophies.  But the thing about the ‘Grand Slam’ was that it was the ambition of the place.  I remember we were going to London on the train and could see Wembley, and I shouted to the lads to take a look because two of our ‘Grand Slam’ games would be played there!

1971 ECWC v Chelsea. Francis Lee. Photo by Alan Jubb

Moving forward a couple of years, the success started to disappear.  There had been the takeover that ultimately led to Peter Swales being Chairman, and of course we missed the title by a point in 1972.  What had changed?

Rodney Marsh has told you himself that his signing made a difference.  Malcolm played Rodney and disrupted a team that I’m convinced would have won the League that year.  Derby won it when they were in Majorca or somewhere!  I don’t blame Rodney… that season our luck changed and everything went against us.  There was one game near the end where we should have had a couple of penalties for hand ball but because this was the season when we got that record number of penalties they weren’t given. 

Thinking about the penalties, a lot has been made about you ‘diving’ but the factual evidence is that the majority of penalties were given for things like handball or fouls on other players.  Nevertheless, the myths survive.  So, big question, did you ever dive?

I couldn’t say that I always stayed on my feet unless I was absolutely knocked down.  In those days you used to get some horrendous treatment by the defenders, but I will tell you that the season before those penalties we only had a couple, and before that I think it was one.  The reason we got so many in 1971-72 is that they had changed the law, plus we were going for the title so we were putting sides under a lot of pressure and they reacted.  I was fouled only 5 times out of the 13 league penalties we got.

When I was attacking I used to play the odds.  If a defender was coming towards me I’d carry on, or I’d run towards the defender because there were only three things that could happen – he pulls me down, he gets the ball of me – well done, or I get a cracking shot at goal.  So the odds were in my favour.  You have to play them.

I think the reason people go on about penalties with me is because I was the one taking them.  It didn’t seem to matter what they were given for, the headlines were that I had scored from a penalty.  The season after I think we only got one penalty and by the time I moved to Derby they already had a penalty taker so that was it.  I would say that for every dubious penalty that was awarded there were another twenty that we should have had.

Francis Lee’s first penalty for City January 1968 v Sheffield United
Francis Lee scoring penalty v Manchester United 1971-72 season

Was the move to Derby something you really wanted?

No.  By that time my business was substantial so going to Derby was going to cause problems.  Derby offered City more than anyone else and so I went there.  We won the title in my first season – I’d only signed a contract for a year – and they were a very good side, so I stayed with them for another season.  The pitch was awful – even Maine Road’s pitch was better – but we could have won the European Cup that second season.  We won the first leg of a tie with Real Madrid 4-1 but I missed the return because I’d been sent off in the Hunter incident against Leeds.  We lost 5-1.

They actually changed the rule after that saying it was unfair to automatically ban a player from a European game after a domestic match when the player had yet to be proved to be guilty or not guilty.  There wasn’t much chance of me being ‘not guilty’ – the footage was there for everyone to see!

There was that memorable game when you came back to Maine Road and scored for Derby at the Platt Lane end of the ground.  I was in the stand that day and I remember a surreal moment when City fans cheered your goal.  Did that happen or is it just my memory?

Yes, it did happen.  Then I think they thought:  “What have we done, he’s playing for them!”

I enjoyed my football and I loved scoring so when I scored and the film shows me smiling it was because I’d scored what I thought was a good goal.  I picked it up with my back to the line, went through two people and on to score the goal.  I loved the goal and it is true that everyone applauded.  It had nothing to do with City or revenge or anything like that.  I think I enjoyed about 95% of every game I ever played.  It was fun.  A great way to earn a living, so on that day I was happy.

People often suggest that City sold you too soon and that had you stayed a couple of seasons longer we might have won the title ourselves.  Do you hold this view?

I think if I’d have stayed and Mike Summerbee – remember he was sold a year after me – then I do think we’d have mounted a serious challenge for the title.  Mike had more to offer.

After two seasons at Derby you retired, but you were still relatively young.  Why?

I had about 110 people working for me and my business was taking over.  I was travelling all over the country for my business and was trying to fit the football training in as well.  I needed to concentrate on the business.  Had I been playing in Manchester or Bolton then I may have carried on.  I was only 32.  Derby wanted me to stay on, and I made a promise to Dave Mackay that if I was to return to football then I’d do it for him.  Tommy Docherty tried to persuade me to join United but I’d made that promise and wouldn’t do it.

You developed your business interests and horse racing over the following twenty years, but then suddenly you were back, mounting takeover of City.  Why?

I wasn’t really looking to get back into the game at all during those years.  I had a good and successful career outside of the game and was happy.  But the takeover was one of those things that happened.  I should have known that it wouldn’t work.  The biggest problem we faced at the start was having to build the new Kippax Stand.  We ended up spending about £16m in the end – even removing the waste from underneath the old terracing should have cost only £80,000 but ended up costing about £1.8m.  I thought then that I’d always been lucky in life and then suddenly my luck had changed.  Everything we tried to do became an issue and the Kippax was a bit of a millstone.

It’s extraordinary when you think that at that time Jack Walker had put some money into Blackburn and Everton had had some money put into it, and we put money into City, but prior to that no one ever put money into a football club.  They bought shares but never invested, we did invest.  But the financial state of the club was appalling.

It strikes me that off the pitch things did improve significantly, but on the pitch we struggled.  What’s your view?

People like John Dunkerley worked very hard during that spell and the training facilities were improved and so on.  Then, just when we finished the Kippax Manchester Council started to talk to me about becoming tenants of the new stadium – now that turned out to be the best thing that happened to City during the decade that followed.  We spent a lot of time working with them and talking with various people to make it happen.  Full marks must go to the Council for having the foresight and it became very important for City to become anchor tenants.  I think I had a lot of bad luck as Chairman and things certainly didn’t work on the pitch, but I do think that was one thing that the club got right.

Why did it fail on the field?

I don’t know.  Maybe the footballers didn’t enjoy playing as much as they ought to have done.  We also had a few problems with managers but I’d better not get into that.

Finally, many people claim the 1970 League Cup Final was your greatest City game, do you feel that?

I don’t view it like that.  I don’t think of individual games in that way.  My job was to score goals and win games, and so I look at my career and see what goals I’ve scored.  You have to look at the club during your time there and see what that club won and what you contributed to the overall success of the club, not necessarily individual games. 

My role was to make things happen, and if I was making things happen, especially if it was causing some aggravation for the opposition, then I was happy.  When you hear the opposition players shouting things like: “don’t let him turn!” that’s a real pat on the back.  You know you’re getting to them.

In terms of individual games or goals… I don’t see it in those terms.  In the championship season I think one of the goals I scored at West Ham (18/11/67) was the best goal I’ve ever scored.  I was playing against Bobby Moore and I think I had a fantastic game but, because they are trophy winning games in their own right, cup finals tend to be remembered mostly by others.

I always think that a top class player should go on to the pitch and have enough confidence in his own ability to know that it is very rare for him to have a bad game.  It’s not arrogance or anything, but it is the mark of a top class player.  If you go onto the pitch feeling that then more often than not you will have a good game.  The next step is to take it up the levels until you walk on to the pitch believing you’ll have a great game and score a couple of goals.  At City most of us developed that confidence and on some days, when the entire team was at that level, we had some tremendous games.  That Newcastle title decider was like that.

Francis Lee after scoring at Newcastle

Manchester City v Red Star

I thoroughly enjoyed last night’s (19 September 2023) game in the Champions League between the reigning European champions Manchester City (and treble winners – will we ever get tired of remembering that?) and Red Star Belgrade. The Blues won 3-1 and, to be frank, could have scored a lot more had it not been for the heroics of Omri Glazer in the opposition goal (and a few weird finishes but it was a miserably wet night too!).

Summerbee brings in the Champions League trophy

Despite being a goal behind at half time it felt as if the Blues had enough to win the match from the outset and the the second half commenced in style when Julian Alvarez met an Erling Haaland throughball, rounded the keeper and prodded home the equaliser. This was about 73 seconds into the second half. Many Blues missed the goal as they were still returning from the toilets and the bars!

Alvarez opening goal celebration, 19 September 2023 Champions League MCFC v Red Star Belgrade

Alvarez netted a second when his free-kick from the left flew past ‘keeper Glazer after about 1 hour. Then after 73 minutes Rodri did what Rodri does best when he sent a curling strike into the net. It was another classic, just like the final in Istanbul. You can read what Istanbul (and relive that night) meant here:

City have posted highlights of the game here:

https://www.mancity.com/citytv/mens/manchester-city-red-star-belgrade-highlights-63830758

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Fenerbahce Blues

On this day (18 September) in 1968 Manchester City’s first European Cup fixture against Fenerbahce ended goalless at Maine Road.  This was the first time two British clubs from the same city had competed in the European Cup. Here’s a match report of the City game:

Francis Lee (left) and Mike Summberbee (right) threaten the Fenerbahce goal in City’s first European Cup tie in 1968.

Subscribers can read a feature about that game here:

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Maine Road 100 – Day 44

For the first time in my series of my posts counting down to the centenary of Maine Road’s opening game I’ve posted an image of a letter. This Day 44 feature is about the day Manchester United offered George Best to Manchester City.

Basically, Best was put on the transfer list by United and they sent a letter to every team in the top two tiers telling them he was available. In 1968 Best had said that he wanted to play for City as he felt they had the most attack-minded team in the League and he loved the thought of playing in a team that contained Colin Bell (below, seen in 1972-73), Mike Summerbee and Francis Lee.

Malcolm Allison did show interest in signing him but ultimately it never happened. Nevertheless this MCFC stamped letter is a rare item showing that United did offer the player to City and the other clubs in 1972.

Here’s an aerial photo of Maine Road from 1971, the year before Best was offered to City.

Maine Road aerial 1971 from Farewell To Maine Road

If you’d like to read more on the history of Maine Road, take a look at Farewell To Maine Road, which can be downloaded from this page:

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More Gundogan Records

For many, many years Dave Masey has been collecting stats and historical information on Manchester City. Like me he was a member of the Association of Football Statisticians and he has helped me often over the years. Following Saturday’s FA Cup final he got in touch with me to tell me about one of his spreadsheets which holds details of City scorers in trophy winning games.

His records capture those who have scored in major cup finals, but besides Cup Finals he also records other trophy-winning games. These include the deciding League games from 1937 onwards against Sheffield Wednesday (1937), Newcastle, QPR, West Ham, Brighton and Villa (2022), but nothing from three recent title successes where the Blues clinched the title when they were not playing. Got that? Good, now….

Dave tells me that Gundogan is now at the top of the list with 5 goals, overtaking Neil Young and Sergio Aguero. So he has scored more goals in trophy-winning games than any other Blue.

The list of scorers in trophy winning games reads:

1904Meredith
1934/7Tilson (3), Brook (2), Doherty
1956Hayes, Dyson, Johnstone
1968/70Young (4), Lee (2), Summerbee, Doyle, Pardoe
1976P Barnes, Tueart
2011-(former)Aguero (4), Y Toure (2), Nasri (2), Kompany (2), D Silva (2),Jesus (2), Sterling (2), Dzeko, Zabaleta, Navas, Fernandinho
2016-(current)Gundogan (5),  Laporte (2), Rodri (2), Mahrez, De Bruyne

Dave also tells me that in the three seasons where somebody else’s defeat clinched the title for City, the scorers in the club’s last game before the title confirmation were:

Gundogan (3), Sterling (2), Jesus, Haaland.

As Dave says, Ilkay gets a remarkable number of important goals, particularly for somebody who is ‘just’ a 1 goal in 5 games player (60 in 303 for City). Certainly this season he has played a true leader’s role and, looking at his place in this table, he is clearly a man for all trophy-winning seasons.

Thanks, as always to Dave, for this information.

A European Semi Final Victory

Today (15 April) in 1970 German side Schalke 04 were defeated 5-1 in the ECWC semi-final second leg at Maine Road by Manchester City. You can read the story of that game (and watch video highlights) below.

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Mike Summerbee, OBE

Earlier this week the former Manchester City and England international Mike Summerbee was presented with an OBE by Prince William. This is excellent and well deserved news. Mike’s a great ambassador for football, City and Manchester (OBE & Windsor photos from Manchester City).

Mike Summerbee receiving his OBE from Prince William March 2023

It seems appropriate to include here an interview I did with Mike several years ago. I’ve interviewed him often over the years and this one was a general piece, performed in April 2005. It was for the Manchester City match programme and we started by talking about one of his favourite topics ‘Escape to Victory’. Here is that interview as written up at the time. Enjoy!

Mike Summerbee was the second player, after Ralph Brand to join Joe Mercer’s City in 1965.  Over the following decade he became a major star and played a significant role throughout the Mercer-Allison glory years.  Always the entertainer, Mike featured in the classic footballing wartime adventure film “Escape To Victory” and today assists the Club’s commercial activities.   In April 2005 Gary James caught up with him at the Manchester City Experience.

Let’s start with “Escape To Victory”.  How did you get involved in the filming of that movie?

It was Bobby Moore who got me involved.  We’d known each other since I was 16, and we both had a similar outlook.  The makers of the film had got several Ipswich Town players involved, plus Pele and of course Bobby.  They needed another familiar British player and Bobby suggested me.  He called me and said:  “How do you fancy being in a movie with Michael Caine?”  And that was it.  Within three weeks I was on my way to Budapest for filming.  I had no idea at the time that this would become one of those films still being shown and talked about twenty odd years later, but it has become a cult movie with websites dedicated to it.  It’s the sort of film that many other people would have wanted to be in.  I know for a fact that Rod Stewart wanted to be in it.

Why do you think the film is remembered so affectionately?

I don’t want to give too much away – everyone should come to our special showing and see the movie and hear my reasons then – but the film is like a Boys’ Own adventure.  It’s got drama, excitement, and is a traditional film.  It doesn’t rely on bad language, sex, or extreme violence, and it really does appeal to everyone.  Don’t forget it also contains some great actors – everyone remembers Stallone and Caine but look at the other cast members as well – and then there are some very well known footballers including Pele.  

I loved making the film and one of the great aspects for me was that when we came to the football scenes we were told to go out and play the game.  John Huston – a great director – wanted it to look as realistic as possible and so we played a real game.  Inevitably we had spells concentrating on tackling or shooting but much of the game came from real play.  Pele’s wonderful overhead kick goal was natural and was done only once.  We didn’t take ages setting up, re-shooting etc.  It was done for real and only in one take.  John Huston had cameras everywhere and tried to make sure everything that took place on the pitch was filmed from every angle.  That makes it so much more real.

You have a speaking part in the film, did you know about that before you accepted?

We were told to let the actors act and they were told to let the footballers play.  That way we all did what we were good at.  Then when it came to the dressing room scenes Michael Caine said to Huston that it didn’t feel right for only the actors to talk and he said that a couple of us should speak.  When it came to half time, I congratulated a couple of players on their play – that was natural not planned – and that stayed in, and then other lines were given to us.  It felt strange, but when you watch the film it makes much more sense to have us speaking.  I loved making the film and there are so many different aspects to talk about, but we’ll save that for the 5th May event.

Moving back to your playing career, we all know that you came from a footballing family, but did that mean it was something you had to do?

My dad played professionally and so from an early age it seemed natural to play.  All boys loved playing back then anyway, so there was nothing strange about that, but I suppose when you are young whatever your father does has a greater importance.  My brother was a better player than I, although he stopped playing when my Dad died, and we used to play whenever and wherever we could.  I’d get to school as early as possible – not for the lessons, I was a dunce! – but for the kickabout.  We’d have a tennis ball and play until we had to go in.  I also played cricket, athletics and other sports, but football was my best.

Your progression into professional football seems rapid – you were a key feature of the Swindon team in your teens – were there any setbacks?

I’d had a spell at Bristol City when I was 15, but I was so homesick I had to give up on it.  My mother worried about me and suggested I kept out of the game.  She knew about the problems and difficulties a footballer could have because of my father’s career, and then the opportunity came with Swindon and everything started going right for me.  I joined them at a time when they were ready to give youth a chance and I made my debut at 17.  

Was life relatively easy for you then?

The life of a footballer was not as glamorous or financially rewarding as it is today.  I loved playing and I loved the camaraderie of it all, but we all had to have other jobs to keep us going outside of the season.  I used to end up working for the Corporation cutting grass, painting, oddjobs, and digging graves!  It kept you in touch with the fans – both the living and the dead! – and I actually loved all of that time.  We didn’t have flash cars or anything then.  In fact Ernie Hunt and I had a tandem, and we used to cycle together on our tandem to the ground.  It was a great, fun time, and I have very fond memories of it all.

One of the significant angles is that Joe Mercer was interested in signing you from fairly early in your career, were you aware of his interest?

To some extent yes.  Joe had played with my father at Aldershot, and then Swindon played Joe’s Aston Villa in a testimonial game.  We won and I scored a couple, and Joe even played wing-half for Villa.  After that I was told he wanted to sign me for Villa and that he’d made a bid but nothing further happened.  I don’t know if it was problems at Villa or what but some time after that Joe moved on, and then in 1965 he got the City job.  I was in Torquay and I gave him a call – I thought it was time to make the move and chance my arm a little.  Joe said he’d be in touch.  Then serious interest came from City and I was off.  

Did City mean much to you as a boy?

Because of where I lived I’d travel to Birmingham to watch games and whenever City played Villa I used to enjoy seeing Bobby Johnstone, Ken Barnes, Bert Trautmann and the rest.  They were such a great and in many ways glamorous side to watch, and the pale blue shirt – a colour I still don’t believe we’ve managed to recreate properly – was so memorable.  No other side could match that colour and City were unique.  All of those great memories were in my head and I was desperate to play for City when Joe came here.  Although they were in Division Two when I arrived they were a major, major side with a great stadium.  I loved Swindon, but City were something else.

Everyone talks about the atmosphere around the place, how did you find it?

Joe lifted the spirits of everybody, that was clear, and Malcolm Allison was so ahead of his time and knew all about psychology.  He knew what players needed, and he always knew the best way of getting more out of me was by winding me up.  I think I was a consistent player, and at half time in one game we’d had a bit of a bad spell.  I’d played well, but one or two players had struggled and we all knew it, but in the dressing room Mal went up to the two players and told them they were doing well and that they just had to keep plugging away.  He was boosting their confidence I guess and they certainly were more confident in the second half.  When he came to me he said I was playing the worst game ever and that I was letting everybody down!  It wound me up so much I had a go back at him, and then when we got on the pitch I pushed and fought for everything to prove how wrong he was and I gave 120% – his trick had worked!

During your first year at City (1965-66) England manager Alf Ramsey came to watch you play, and eventually you became the first City man since Don Revie in 1956 to play for England.  Were you aware of the attention?

When Ramsey came to watch me the attention was good and, considering Alf concentrated on his ‘wingless wonders’, it was great for me a winger to be considered.  I’d been included in the squad from almost immediately after the World Cup win, then I made my England debut against Scotland at Hampden (February 1968) in front of about 150,000, alongside the likes of Moore & Charlton.  I was very nervous but they helped to calm me and at half time both Bobbys told me I was doing well, so that helped.  In the end every one of my England appearances came at centre-forward, so I guess the style of play limited my opportunities, but I loved playing for England.   

What was Alf Ramsey like as a manager?

He was definitely a ‘player’s manager’.  He handled us well, and I believe that he was, in the end, treated appallingly be the FA.  He treated us exceptionally well and he was a great man to play for – I don’t believe that England have ever managed to find a permanent manager who can match him.  He had the same sort of authority as Joe Mercer, but they were different characters.  Joe was wonderful with the media and the public, while Alf was primarily a players’ man.  There was one time, we’d lost 2-0 at Katowice (1973) and I’d been on the bench.  We were pretty down.  Alf knew how low we were but because we were playing in Moscow a couple of days later he told everybody to get to bed early, no drinking or anything.

We all sneaked into Bobby Moore’s room and had a few gins.  Sir Alf caught us and we thought he was going to have a go.  He said:  “I thought I’d told you not to drink!  But in the circumstances I’ll have a large gin and tonic please.”

Throughout the Sixties and Seventies, City never seemed to fear any opposition, is that something that came from the players?

Obviously, Joe and Malcolm bred a certain atmosphere which boosted confidence.  Whenever we played United we’d get to Trafford at 12.30 simply to soak up the atmosphere and to be ready.  Mal would swagger to the Stretford End before the game to tell them how many we’d win by, and we’d go out there and match his score, although we used to encourage him to keep the expectation down a little!  For us it didn’t matter whether we played Shankly’s Liverpool, Busby’s United, or any other team because we knew we were more than a match for any of them.  Some of these teams possessed better individual players but, particularly at Old Trafford, we were always the better side.  We had a great team spirit.  People always talk about Lee, Bell and Summerbee like Charlton, Law and Best, but our side wasn’t about three players, it was about the whole team.  Oakes, Pardoe, Young…. You know all the players.  Unfortunately the 3 player line is a good one for the media to focus on, but for the players it was always about the team.  I always think it’s wrong to talk about Lee, Bell, & Summerbee.  We were part of a great, strong side and, although the 3 of us were well known, we needed that entire side to bring City success.

Finally, you’ve always been known as an entertainer, and always had a great rapport with fans and the media, presumably this is a very important aspect to your life?

As a player I used to meet the fans as often as possible – we all would.  We’d have lunch in the old Social Club all mixed together, we’d attend supporters & Junior Blues meetings; take part in the pantomime every year; and generally be out and about.  We also used to get on well with the media.  The journalists were always good honest judges back then – people like Frank McGhee and Richard Bott always talked truthfully about your performance.  If they said I’d had a bad game, I knew I had.  They weren’t out to knock you, or to build you up.  They spoke honestly and so I enjoyed talking with them.

For me football is entertainment and the game itself is sometimes less important than everything that surrounds it.  I don’t miss playing, but I do miss the camaraderie we had.  I miss the team spirit we had with City, England, and even during the filming of Escape To Victory.  It’s the same camaraderie fans feel on the terraces.  That’s why I enjoy my involvement with the Club today because it’s all about the fans, the City spirit, and the wonderful life that surrounds the game.

If you enjoy all the free material on my website and would like to support my research and keep this website going (but don’t want to subscribe) then why not make a one-time donation (or buy me a coffee). All support for my research is valued and welcome. It allows me to keep some free material available for all. Thanks.

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